The Hunger Games

I remember why I prefer to travel 40 minutes to a Cineworld cinema than regularly go to my local Bridlington town cinema. It is full of little kids aged 12-14 allowed out to the cinemas for the night in a big gaggle of annoyance.

I like my cinema experience to be quiet with the odd gasp, whisper or laugh not unnecessary chattering for large portions of the movie. It frustrates me so much and more often than not end up having a moan but they always ignore and carry on the little buggers.

Rant over.

I went to see the newest addition to the book-to-movie franchise The Hunger Games, and was squealing in anticipation as I took my seat and waited those painful minutes until the movie began.

For those unfamiliar with the young adult trilogy, The Hunger Games is the first book in the trilogy, set in a dystopian future it sees Katniss Everdeen a 16-year old girl volunteer to take her young sister’s place as tribute in the Capitol’s Hunger Games. An annual event that requires a boy and girl tribute aged 12-18 to be selected from each of the 12 Districts that surround the Capitol, and to take part in a fight to their deaths until one sole victor emerges. The Hunger Games are a reminder to each district that the Capitol can take their children and kill them in response to the uprisings that resulted in the loss of the thirteenth district.

The opening scenes were very different to the book, but worked from an audience point of view as it wove in the Capitol’s Head Gamemaker Seneca Crane who we don’t experience in the book as it is told from Katniss’ point of view. Seneca Crane, played by the brilliant Wes Bentley, is shown in extra scenes with President Snow, played by Donald Sutherland, and in the Games control room which again we don’t know about from the book, a really great addition to the story overall especially when you want to know how the arena is created and controlled.

I think Elizabeth Banks as guardian to the District 12 tributes Effie Trinket was near perfect, in fact she didn’t get nearly enough screen time but with so much story to get through I can see why this happened. Certain scenes were shortened purely to get the timeline moving, but part of the allure of the book are the descriptions of the food on the train that Katniss and her fellow tribute Peeta Mellark (Josh Hutcherson) encounter for the first time and how they react to it, it wasn’t really that clear.

Woody Harrelson as Haymitch Abernathy was great casting, and I was excited to see how he would play the alcoholic mentor to the tributes. I was disappointed with how much he changed Haymitch’s attitude towards Katniss and Peeta, and I think because so much was cut out in terms of scenes they share together in the first book you don’t see how he gradually warms to them rather than all of sudden changing his personality. (Don’t even get me started on the scene where he supposedly suggests the idea to Seneca Crane for two tributes to win because the audience wants a love story – this does not happen in the book. I’ll get over it)

There are plenty of people that are to credit for the fantastic look of the movie, the choices made how to portray the Capitol, the super fast train on the way there and of course the set of District 12, there is only so much you can imagine in your head and it was great for it to see it come alive. The people of the Capitol were absolutely spot on, exactly the way that Suzanne Collins described them in the book, bright, colourful, oddly weird, strange and a bit loopy. The way they see the Games as pure entertainment and barely consider the 24 children going to their deaths.

As we move through the training of Katniss and Peeta, we see more of the other tributes which I never really paid attention to in the books because I knew in the end they would have to die. But it was interesting to see them and how they played their characters, most notably Alexander Ludwig as the ‘career’ tribute Cato and the tiny delicate and adorable Rue played by Amandla Stenberg. Rue is a turning point in the Games for Katniss but once again it was edited down, this in particular annoyed me because her relationship with Rue and how it ends makes Katniss the Mockingjay (something that will be clear in the next movies) and part of why she hates the Capitol and President Snow so much.

I’m just going to be ridiculously picky here, but did anyone else notice Rue say, after she was shot with a spear and lay dying, “Did you blow up their food?”, how could she possibly know that the food could/would be blown up when Katniss herself didn’t even know until the last minute that the pile of food and supplies protected by the careers was rigged with mines? Error.

I’ll move along… A book will never be portrayed exactly how you want it on screen especially when the narration is in first person, ie. Katniss point of view and no one else’s. In certain places the movie benefits from it being a different point of view as we gain extra information, eg Seneca Crane and the control room. But what I miss from Katniss’ narration is her feelings, her personality, her conflict, and her responses, because they are not there nearly enough. Yes Jennifer Lawrence is an Oscar-nominated actress, but there is so much to Katniss I wonder why she skimped on her inner turmoil in regards to Peeta and Gale (Liam Hemsworth). Especially considering how the story and she progresses.

I think in some ways the film relied to heavily on people having read the books and knowing the background of the story, for example the state of District 12 the details of the uprisings only briefly shown in the propaganda at the beginning, how Peeta was always protecting Katniss when he was with the tributes, the unexplained ‘muttations’ they just looked like wolf/rabid dogs, rather than the creations of the Capitol.

(One more point the Mockingjay pin is one of the most important aspects of the books and you aren’t even told what they are or where they came from – a Mockingjay is the offspring of a Mockingbird and a Capitol muttation Jabberjay bird, the Jabberjay’s were a Capitol weapon that recorded conversations of the people within the Districts to seek out traitor’s etc but the people realised what they did and turned them against the Capitol and they were then released into the wild and mated with Mockingbird’s thus creating Mockingjay’s which couldn’t speak but could record note perfect songs if you sing to them.)

I’m going to be really excited to see how Catching Fire works as a movie, there is a lot more to the story and I think we only really touched up on it in The Hunger Games. So I implore those of you who have not read the books to do so, because you will gain a lot more detail and background information that you wouldn’t know about from the film.

I want to see the movie again, to watch it without judging it because I just can’t help it!  Overall the movie is a thumbs up from me, and the £152 million it made in its opening weekend from domestic gross goes to prove that it was a thumbs up from everyone else.

New Yorkshire music: Seafret

A recent signing with record label B-Unique, a new album in the making, a great live sound and these two unlikely lads make up some of the finest talent to come out of Bridlington.

Seafret are Jack Sedman, 19, on vocals, and Harry Draper, 16, on guitar, bass, banjo, mandolin and any other instrument he can lay his hands on!

The duo met back in August 2010 after being introduced at The Ship Inn pub in Sewerby, and coming up with the name which is a play on the ‘fret’ of a guitar and the sea we live so close by, the rest as so many before them say is history. Jack says of the meeting: “I was introduced to Harry and invited round to his house, I went round and it just kind of worked.”

They form a wonderfully unique sound, a mixture of husky Paolo Nutini-esque vocals from Jack – that he only discovered he possessed around eighteen months ago – and Harry’s magical guitar riffs that have audiences hypnotised. Harry is a rarity, after picking up the guitar out of boredom two years ago he taught himself to play, along with guidance from his musician dad Chris Draper.

Chris, of Moonshine Music Men, is clearly a huge influence on the boys as well as Jack’s own dad Mike Sedman, formerly of International Rescue and now of the band Duck Baby. Jack says: “Most of the music comes from home. I saw my Dad play and thought I want to do that, and obviously with [Harry’s] dad as well.”

Apart from the family influences, a big inspiration for Jack and Harry is the late singer John Martyn, his music was blurred between folk, jazz, rock and blues. The boys say, “He had a similar sound to what we play with an acoustic guitar, and he defined strange chords with different melodies.”

Fascinatingly the boys form their melodies first and then add the lyrics, Jack explains, “The music is born and then I’ll bring the lyrics to the guitar and then we just work from there.”

They are currently recording their first album under record label B-Unique, a publishing and recording contract sees them in a nine-month development period where they are gigging, writing and recording music and then will make the album at the end of the nine months, which is around seven months from now.

The boys admitted they find it easier in the studio recording music, and already have over 25 original tracks laid down but will have to narrow them to, at the most, ten tracks.

Jack says of the album-making process: “At the minute in the studio we’re recording live basically, we’re both in the same room with no division between us and two microphones set up and that’s how we record the songs. We might not even use some of the songs we’ve got now but the ones we like we can re-record and use those for the album.”

Jack and Harry are both in agreement that even if they hadn’t been signed very early on in their short career, they would still be very heavily involved in music even if it meant busking and gigging wherever they could, Jack says: “I didn’t mind whether it was just busking on the street or to make a living doing gigs if we got offered them. I only knew I could sing a few months before I met Harry and after that I just fell in love with it.”

“We’re lucky we’re in the position now where we’re getting paid to do what we want to do.

“I love the music we make.”

If you’re reading this and you don’t live near Bridlington in East Yorkshire, UK (David Hockney-land) then please take the time to watch some of their videos, and let them know what you think of their music!

You can find the band on Facebook here or add them on Twitter @Seafret2011.

They are also headlining the Limetree Festival  in Masham, North Yorkshire, August 24-26, 2012.

Shopping time!

There are so many printed trousers around this season, a really popular trend seen on the runway for ss 12 and aw 12, and I’ve been dying to get my hands on a pair for a while now. On a shopping trip to the Metro Centre in Newcastle, I bought an awesome pair I’d seen   in Grazia from River Island. The print is slightly garish but they look fantastic on and the fit of the trousers is really flattering and the perfect size so I was more than happy to part with £30 for them!

River Island Floral Crop Trousers £30

They’re available on ASOS here and I’m even tempted with the matching blazer! I also bought this great skirt from Topshop that I’d seen Ashley Madekwe wearing and had to have as well, it’s pretty thin stretchy material so I have no idea why they included a zip!

Ashley Madekwe, Topshop skirt £28

Also fell in love with this silky floral printed bomber jacket from Zara. In fact I pretty much could have bought the whole of the Zara store, some really great stuff in there.

Zara Printed Bomber Jacket £30

Friendsheet or Pinterest?

So Pinterest has been bubbling under the surface for a while now, a few celebrities have raved about how good it is so it’s dying to break the surface and pierce our own minds.

What’s interesting though, is that it is based in Palo Alto, California. Sound familiar? That’s the where Facebook headquarters are located.

There have been rumours that Pinterest is owned by Zuckerberg and one thing that has made this even more likely is the roll out of a new Facebook app ‘Friendsheet’.

“Mark Zuckerberg likes Friendsheet” popped up on my newsfeed about fifteen minutes ago, a quick follow through to the link and a few clicks to allow this app to access my info and lo and behold Friendsheet looks and acts the same Pinterest but the best part of it is it’s already integrated with all your Facebook photos (and your friends) that have recently posted.

What does this mean for Pinterest? Will it lose it’s edge if Friendsheet is so easily accessible and with a full ‘pinboard’ already in existence without having to add any to it. Everything you have seen in your newsfeed is now on Friendsheet in a waterfall of pictures, even more aesthetically pleasing than status updates and links.

Was Pinterest just a test, a way to see how it would work and if the Facebook public liked it? Well they must have because here is Friendsheet and it looks like Zuckerberg wants you to like it.

FYI – The site says Friendsheet was developed by Zachary Allia he lives in Palo Alto and apparently doesn’t work for Facebook or Zuckerberg… (Yeah right). 

VS

The Oscars 2012: Best dressed

It drew the awards season to a glamorous close, with the predicted winners being awarded their trophies. Meryl Streep won Best Actress, Jean DuJardin Best Actor, Christopher Plummer made Oscar history as the oldest winner for Best Supporting Actor, Octavia Spencer won Best Supporting Actress and The Artist won Best Film and Best Director went to Michel Hazanavicius. A pretty obvious bunch considering the mountain of awards each winner has racked up in all the other ceremonies.

The red carpet is the favourite part of the ceremony, will an actress take a risk or will they play it safe. It was a safe and pretty year this year, with many actresses choosing to change into a second dress for the after parties. That’s cheating if you ask me. But that also meant that the rumour that Victoria Beckham was dressing a major celeb was true after Cameron Diaz rocked up to the Vanity Fair after party in a full length orange gown and signature exposed zip, I really liked it and it suited Cameron’s California looks down to the ground.

Cameron Diaz in Victoria Beckham

My favourite Oscar red carpet was Gwyneth Paltrow, her Tom Ford full length fitted white dress was worn with a full length cape that I thought was so refreshingly original. I’ll forgive her for the fact it was detachable because it was that beautiful.

Gwyneth Paltrow in Tom Ford

As one of my style crushes I have mixed feelings about Michelle Williams’ choice of a coral peplum Louis Vuitton. The colour was a welcome change, but the peplum doesn’t have that bounce that it needs, I would have really loved it if she wore something Marilyn inspired but I suppose after channeling the icon for so many years in preparation for the role I guess she wanted to giver a wide berth.

Michelle Williams in Louis Vuitton

Emma Stone has had so many red carpet moments but I was let down by the Giambattista Valli Couture dress she chose, out of all his collection this was the most similar to the Gucci 2011 dresses that everybody seemed so fond of wearing last year. Her after party Chanel dress was so much more original.

Emma Stone in Giambattista Valli

Everybody loved Penelope Cruz rocking the vintage Hollywood look I personally found it boring and the colour very washed out. Stacy Keibler worked the red carpet well as George’s plus one in Marchesa even if she did look like the Oscar statue itself, and everyone is wondering when George is going to dump her and move onto his next ‘Award Season Girlfriend’ Stacy did well but time for a change!

Stacy Keibler in Marchesa

After Rose Byrne’s amazing turn at the Golden Globes in that Elie Saab jumpsuit she went for more sequins this time in Vivienne Westwood, it was sparkly and nice but nothing really amazed me about it apart from how skinny she looks.

Rose Byrne in Vivienne Westwood

Honourable mention has to go out to Angelina Jolie and that right leg, there was so much buzz about it that someone created a Twitter in it’s honour. The black velvet custom Atelier Versace dress was nothing to shout about, I wouldn’t have even paid her any attention had it not for the pose.

Angelina Jolie in Atelier Versace and that right leg

The joint best look at the after parties is split between Elizabeth Banks and Heidi Klum. Elizabeth in a unique polka dot and feathered look by Chadwick Bell at the Vanity Fair after party, and Heidi Klum rocking that body in Atelier Versace at Elton John’s Oscar Viewing Party.

Elizabeth Banks in Chadwick Bell

Heidi Klum in Atelier Versace Spring 2012

Not forgetting my favourite lady Diane Kruger looking stunning in Calvin Klein. Red really is her colour.

Diane Kruger in Calvin Klein

 

Chronicle

I really wanted to come out of the cinema absolutely buzzing about how good Chronicle was, how found-footage has been rebooted and that the story was gripping and original.

The story was good, but the use of the found footage hindered the movie being really epic. It held it back at the end and it bored me at the beginning.

It was refreshing to see new faces in Alex Russell who plays Matt Garetty, Michael B. Jordan who stars as the popular guy Steve Montgomery and Dane DeHaan** as the weird loner Andrew Detmer.  There are plenty of movies around at the minute that just get released and promoted from the star power of an actor’s name (*ahem* Nicolas Cage and Reese Witherspoon), so Chronicle starts with it’s own good hype.

That hype I speak of were the trailers that were released in the lead up to the movie, they got me so excited, so excited that I regret watching them because I had high expectations and they were shattered by the time I got to the end of the movie. (I even think I shouldn’t have read @TheIncredibleSuit review of it either!)

The found-footage moved the movie along at a good pace, explaining easily why Andrew is such a loser, and how the leads became infected by some sort of alien rock and then cut to them experimenting with their new-found powers. They use their powers like teens would use telekinesis, to piss about and play tricks on people, acceptable, and like plenty of critics have pointed out very unlike Peter Parker and all of this “responsibility” crap.

What narked me was the horrendous special effects for the simple uses of the telekinesis power. Okay they are using a video camera and the director needs to keep it in the tone of the movie, but a frickin’ floating baseball looks so lame that they may as well have left the string in the edit, the harnesses used for when the characters work out that they can fly is ridiculous. The fact they are clearly hanging and not “flying” is awful. Although the flying plot point does make it interesting (cloud football is cool).

The other problem as Incredible Suit pointed out, is the introduction of  an extra character in the form of Matt’s ex-girlfriend to be another point of view it’s so glaringly obvious you kind of find yourself wondering why she is filming anything at all let alone a doorway “Do you mind if I film you it’s for my blog”.

The story was excellent the execution of the movie was not, it’s petered out of the cinema without a kind of ‘meh’ feeling. According to Box Office Mojo, Chronicle has grossed roughly £60m worldwide since it’s February 3 release date which for a found footage movie without any big names attached to it is pretty good considering This Means War with Oscar winner Reese Witherspoon, Tom Hardy and Chris Pine has just nearly made £40m in the worldwide market since its February 17 release date. (Sucks to be you Reese).

I would say go see this movie, I might even watch it again with a fresh mind and although I was disappointed I thoroughly enjoyed the psycho “destroy everything” ending.

**Total Film says DeHaan looks like a young Leo Dicaprio… so true.

Dane DeHaan // Leonardo DiCaprio